Epic Sonning. (via Day & A Dream)
Finally, I managed to write again. I’m so proud of myself. Bitches man…
The Curren$y thing will run a little later. It ain’t that great anyway, so don’t hold your breath or anything like that.
In the meantime, I wrote something about Azealia Banks. I kinda wrote her off after her latest tiff with Lil’ Kim, but it’s really all about the music. Unless your music sucks or you wear dreadlocks without making gully music to match.
Go forth and read.
Oh and pause in advance…
I’ll never forgive Curren$y for letting Wale’s voice be the first thing we’d hear on this album.
I’m so hurt outchea. Pause.
Maybe I’d be more forgiving if I was indulging in some herb, but niggas gotta be at the plantation early.
More thoughts later…
Update #1: Cardo wins again. “Showroom” came on right as I was thinking I should cut this shit off and go listen to “Covert Coup” again instead.
The homie Zilla Rocca wrote some heartfelt shit about the Gawd MC…
Infamous Mobb - Mobb Niggaz
Maybe, just maybe, my favourite ever Alchemist beat. Unsung classic by some vastly underappreciated folk from Queens.
Lowkey, ALC has given some serious serious serious serious heat to all the Mobb affiliates - especially Big Twins & Big Noyd…
Its rare to see a video that gets high marks for its unintentional hilarity (everything that happens during Birdman’s verse, Pusha’s niece’s fur, & Pusha’s hand gestures), historic irony (Mannie Fresh & Birdman; Lil’ Wayne & Pusha T), and for being one of the great coke rap anthems. Also, that damn birdcall that works perfectly in the track. So enjoy Birdman Ft. The Clipse - What Happened To That Boy.
This song is so excellent that I think it needs a new home. I’m going to remove it from whatever Birdman album it’s on and add it to Clipse’s ‘Lord Willin” as a bonus track or right after ‘Grindin”. That way I get to listen to it more often.
You can never listen to this song enough…
Def Jam Records & Cinematic Music Group Present: LIVE FROM THE UNDERGROUNDD
ALL songs WRITTEN, PRODUCED, ARRANGED & MIXED By: BIG K.R.I.T.
Features:
- 8 Ball & MJG
- Anthony Hamilton
- Bun B
- Big Sant
- B.B. KING
- Melanie Fiona
- 2 Chainz
- Devin the Dude
- Ludacris
TOMORROW, MAY 28th… Big K.R.I.T. will be streaming LIVE FROM THE UNDERGROUND in it’s entirety at NPR.orgWE COMING LIVE FROM THE UNDERGROUND…. You got your seat belt on?
(via kanyebreast)

Freddie Gibbs - Pull Up feat. Jeezy & T.I.
Oh shit!
Snowman is granting Gangsta Gibbs access to heavy-hitters for this mixtape. Fuck yeah.
Maybe I’ll have more to say about this later. For now, it’s going on the iPod for the club/drive mix tonight.
Hey young world…. The “DAUGHTERS” video premiere’s tomorrow on VEVO, MTV Jams, MTVU, MTV2, & VH1 SOUL tomorrow!! #NasDaughters
Complex speaks to No ID about his work with Nas.
This shit is incredible…
gq:
The D’Angelo Outtakes:
More From GQ’s ExclusiveOver at GQ.com, our correspodent Amy Wallace posted some of her favorite bits with the soul singer that didn’t make the final story. They’re all worth reading if you’re a D’Angelo fan, but we re-read this one a couple times:
Even his first album, Brown Sugar, had been audacious—with its references to “Chocolate Thai,” has often been presumed to be an ode to the powers of good weed, while “Shit, Damn, Motherf*cker” was as dark and ominous as anything since Sly & the Family Stone’s “There’s a Riot Goin’ On.” But D’s onstage persona was more muted—it simmered, but didn’t burn. D’Angelo looks back on that time with some discomfort. A perfectionist, he wishes he’d had more of an active interplay with the audience. But it all took off so fast, he says. He was confused, he says, by his sudden notoriety, even as he, Lauryn Hill, Erykah Badu and others were credited with launching the “neo-soul” movement (a label he hates). “It counteracts the very fucking idea of what it was in the first place,” he says. “It’s black music thinking — it’s black music manifested outside of the box. And when you label it neo soul, you’re putting it right back in the box. How about you just call me soul music?”
That argument was just one of many D was having in his own head. “I tried to fight, I guess, what typically fame quote-unquote does to people,” he says. “I didn’t want to stop being, you know, the rambunctious mug that I was, because that’s what made my music what it was. It happens to the best of them, you know: At some point in everyone’s career, it was like the music lost its bite. I’m like, ‘Well, how do you avoid that?’”
“You’re some kid from wherever, you get signed, you come out with a record, and boom, you’ve got money and instant success and there’s really no template to follow,” he says, recalling how Gary Harris, the EMI exec who’d signed him, gave him a copy of Divided Soul: The Life of Marvin Gaye, David Ritz’s commanding biography. Hungry for guidance, D devoured it in two days. When B.B. King first met the 22-year-old D’Angelo, Vibe magazine reported in 2000, the bluesman remarked that D had an old soul. Says Harris today: “He’s the oldest young man you’ll ever meet.”
I wrote something about 50’s latest tape.
Briefly put, we need less “lost tapes” and more “hit/pop tapes” Fif.
But why be brief when typing words doesn’t cost me extra and reading them costs you nothing?
Clickety-clack suckas…
#HNIC3 July 3rd
Just a couple of national champs reunited for this year’s K Academy!
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